1.A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produced an instruments capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a ship, percussive brilliance.
十九世紀(jì)一系列持續(xù)的機(jī)械進(jìn)步,包括踏板的傳入、金屬結(jié)構(gòu)的完善和鋼絲最完美的質(zhì)量,最后產(chǎn)生了一種能容納無(wú)數(shù)音調(diào)——從最精致的和弦到一個(gè)成熟管弦的聲音或從一個(gè)清澈的歌聲到輝煌的敲擊樂(lè)的效果——的樂(lè)器。
2.Accustomed though we are to speaking of the films made before 1972 as “silent”, the film has never been, in the full sense of the word, silent.
雖然我們習(xí)慣于談到1972年以前的電影是無(wú)聲的,但用一句完全感性的話(huà)來(lái)說(shuō),電影從來(lái)就不是沒(méi)有聲音的。
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